Eight collections of ‘sculptural material’ — artists (a few examples of their work), historical and contemporary PDF documents of artist’s statements, press releases, interviews, web and library references — that may be of interest in relation to this years General Foundation fine art project, What is Sculpture?
3—Late works 1981-85
4—Living and working in Scotland
Claire Barclay, Fault on the right side (2007)
Karla Black, Vanity Matters (2009)
Kate McLeod (DJCAD Staff), Something Else (2014)
Cathy Wilkes, Untitled (2012)
Christian Boltanski, Animitas—‘Hundreds of small Japanese bells attached to long stems planted in the ground. The bells chiming to the wind let out the ‘music of souls’ and reproduce the map of the stars on the night Boltanski was born.’
Ian Hamilton Finlay, Only Connect—‘Northumbrian Limestone: arched bridge between two milestones each inscribed with the closing words of ‘Howards End’ by E.M. Forster.’ And, Xth Muse—‘Portland stone head on plinth. Sappho, the tenth muse, is the poetess of erotic lyricism and the symbol of love and beauty.’
Revolution in the Making: Abstract Sculpture by Women, 1947–2016.
An exhibition by Hauser Wirth & Schimmel, Los Angeles, 2016.
The Artists: Magdalena Abakanowicz, Ruth Asawa, Phyllida Barlow, Lynda Benglis, Karla Black, Lee Bontecou, Louise Bourgeois, Heidi Bucher, Abigail De Ville, Claire Falkenstein, Gego, Isa Genzken, Sonia Gomes, Francoise Grossen, Eva Hesse, Sheila Hicks, Cristina Iglesias, Rachel Khedoori, Yayoi Kusama, Liz Larner, Anna Maria Maiolina, Marisa Merz, Senga Nengudi, Louise Nevelson, Lygia Pape, Mira Schendel, Lara Schnitger, Shinique Smith, Jessica Stockholder, Michellle Stuart, Kaari Upson, Ursula Von Rydingsvard, Hannah Wilke, Jackie Windsor.