What is Sculpture? | To appear … … … radiant?


Alice Aycock, Maze: Aerial view (1972) black and white photograph.

Eight collections of ‘sculptural material’ — artists (a few examples of their work), historical and contemporary PDF documents of artist’s statements, press releases, interviews, web and library references — that may be of interest in relation to this years General Foundation fine art project, What is Sculpture?

1—’Chatter’
Aleks Danko, Wait … I think this is where I lost my hula-hoop (2017)

2—’This was at hand’
A.R. Penck, Standart – Modell (1972-73), Definition of Similarity (1970-71) and Untitled (1966)

3—Late works 1981-85
Ana Mendieta:
http://www.galerielelong.com/exhibitions/ana-mendieta3

4—Living and working in Scotland

Claire Barclay, Fault on the right side (2007)
https://www.clairebarclay.net/


Karla Black, Vanity Matters (2009)
https://www.tate.org.uk/art/artworks/black-vanity-matters-t13282
Kate McLeod (DJCAD Staff), Something Else (2014)
https://sculptors.org.uk/artists/kate-mcleod
Cathy Wilkes, Untitled (2012)
https://www.themoderninstitute.com/artists/cathy-wilkes

5—Jupiter Artland, West Lothian, Scotland.

Phyllida Barlow, Quarry—‘Two towering cement and steel columns and a mountainous flight of ruined stairs.’


Christian Boltanski, Animitas—‘Hundreds of small Japanese bells attached to long stems planted in the ground. The bells chiming to the wind let out the ‘music of souls’ and reproduce the map of the stars on the night Boltanski was born.’


Ian Hamilton Finlay, Only Connect—‘Northumbrian Limestone: arched bridge between two milestones each inscribed with the closing words of ‘Howards End’ by E.M. Forster.’ And, Xth Muse—‘Portland stone head on plinth. Sappho, the tenth muse, is the poetess of erotic lyricism and the symbol of love and beauty.’


Anya Gallaccio, The Light Pours Out Of Me—‘An underground chamber of amethyst surrounded by obsidian in its natural state, protected by gold barbed wire.’

6—A survey
Revolution in the Making: Abstract Sculpture by Women, 1947–2016.
An exhibition by Hauser Wirth & Schimmel, Los Angeles, 2016.
The Artists: Magdalena Abakanowicz, Ruth Asawa, Phyllida Barlow, Lynda Benglis, Karla Black, Lee Bontecou, Louise Bourgeois, Heidi Bucher, Abigail De Ville, Claire Falkenstein, Gego, Isa Genzken, Sonia Gomes, Francoise Grossen, Eva Hesse, Sheila Hicks, Cristina Iglesias, Rachel Khedoori, Yayoi Kusama, Liz Larner, Anna Maria Maiolina, Marisa Merz, Senga Nengudi, Louise Nevelson, Lygia Pape, Mira Schendel, Lara Schnitger, Shinique Smith, Jessica Stockholder, Michellle Stuart, Kaari Upson, Ursula Von Rydingsvard, Hannah Wilke, Jackie Windsor.

7—Documents
phyllida-barlow-vincent-fecteau.pdf
Francis Alÿs A to Z.pdf
Aleks Danko Wait…I think this is where I lost my hula-hoop_2017-2.pdf
Claes Oldenburg.pdf

8—Frieze Magazine
https://frieze.com/article/natascha-suder-happelmann-will-represent-germany-2019-venice-biennale
https://frieze.com/article/mrinalini-mukherjees-garden-earthly-delights
https://frieze.com/article/olga-jevrics-pioneering-experiments-abstraction-are-shown-london-first-time
https://frieze.com/article/i-want-liberate-full-life-interview-roger-hiorns

Untitled|eight eighteen – ‘My Mother’

Ghias Aljundi
John Berryman, Homage to Mistress Bradstreet, in ‘Selected Poems 1938-1968’ (Faber, 1972)
bicycles
clay plant pots
Alastair Cook (Cricketer)
Fil D’Argent, Fil D’Or (Pierre Danican Philidor 1681-1731 & Michel Pignolet de Montéclair 1667-1737: six suites for two traversos: Outhere Music, 2015)

Robert Graves, Selected Poems, edited by Michael Longley (Faber, 2013)
Grid Iron Theatre Company, South Bend, written by Martin McCormick (2018)
handerchief’s (Alec Finlay, a feather in weather)
wooden clothes pegs